Summer is here!

The last few weeks have been pretty busy with one thing and another and it’s hard to believe that summer is now well underway. But, in spite of what the weather might indicate, it is; and that means it’s time for me to take stock and focus my energies on some new projects. My hobby activities for the first half of this year were dominated, in a good way, by workshops and competitions. With no new workshops planned until June next year I can get down to some serious mini painting for myself! I’ve got some exciting projects in the pipeline and I’m looking forward to getting them underway!

This could be the start of something big!

To Hull and Back! 

 

However for the next few weeks I have a pretty hectic schedule and my opportunities to update this blog may be limited so please bear with a brief hiatus. In the meantime here are a few pics from my ‘Monster Skin & Texture’ workshop, hosted by John Harrison’s Weekend Workshop in Hull last weekend. We were a small but dedicated group of painters and, from my perspective; I felt the weekend was a great success. I was thoroughly pleased and impressed with how everyone got to grips with both the theory and technical aspects of the course and made great progress with their Plaguebearers over the two days!

 

Still no pictures?

I’ve had quite a few messages about the missing pictures on this blog. Thank you for your support and concern. Unfortunately the job of replacing five years’ worth of pictures is going to take a long time, so please continue to bear with me. My primary focus will be on moving forward with this blog and keeping it regularly updated. But I will be going back through the archives and replacing the pics as and when I can. I will endeavor to get the tutorials done first.

Building a ‘better’ Splash

Back when I was making the base for Gutrot Spume I created my wave and splash effects using a foundation of clear plastic. These pieces of plastic had been partly melted and distorted over the heat of a candle. While the finished result was very effective it was also quite a bit of fuss and bother to achieve!

For my Abyssal Warlord I decided to try a slightly simpler method of creating dynamic splash effects for the base. This involved a similar technique to the one used before of building up layers of water effects but, in this instance, I would be using cotton wool as a foundation material.

I’ve used cotton wool previously to create candle flames and seaweed and while I was adding a wet weedy fringe to the Warlord’s cloak, I had the idea to use it for splashes. The technique is very straight forward but it is best done slowly, allowing each stage to dry before adding the next. I’d recommend making up a load of these splashes as a side project fitted in between other jobs.

Materials and Equipment. 

Cotton wool – I used cotton buds as only a very small quantity is needed.
Water effects - I used two types of water effects Transparent Water and Still Water, both by Vallejo. Transparent Water is thick and has some body to it, the Still Water is fluid.
Paintbrush size 1 or 2
Scissors
A plastic tray/ palette – I used an old blister pack

Step 1

Pick off a tiny amount of cotton wool from a cotton bud. Give the cotton wool a coating of the Transparent Water. Take the piece of, now soggy, cotton wool and attach it to the edge of your tray/palette. Gently draw your brush along the length of the cotton wool to pull it out into a longer shape. Now leave the cotton wool alone until the water effects have dried.

Step 2

Trim off any stray or straggling ‘hairs’ with a pair of scissors. Build up the splash using Still Water applied in several successive layers. I found three to four layers gave me the look I wanted. Let each layer dry before you add the next one. As you build up the effect form rounded droplets at the ends of the splashes. The droplets may need a few extra layers of water effects.

Step 3

Once you are happy with the splashes let them dry thoroughly over night. This is an important step as the water effects will shrink somewhat and go totally clear as it dries. The next day you can assess the fully dried splashes to see if they are done, or if you wish to add a little more of the Still Water.

Step 4

When you are satisfied with the splashes and they are totally dry you can cut them from the tray/ palette using scissors. The splashes can then be fixed to your model using a small blob of the Transparent Water. When this has dried you can add further layers of both types of water effects to incorporate the splashes into your base/model.

To finish the splash effects on the Warlord’s base I added a few microbeads (of course) and some slimy seaweed, using more cotton wool, but with less layers of water effects. For a final touch I’ve used a little green pigment powder to tint the last layers of water effects.