Sorting out the red/green balance was key to resolving the colour scheme. When I started painting Abalam, I hadn’t intended to use so much green; but as I’ve worked on the gold areas, the green swiftly became a key colour. With so much red used in the flesh tones and costume, the green introduces contrast and drama to the palette. Similarly the sash across Abalam’s chest is now painted in a light cool grey, rather than red, to add both colour and tonal contrast.
With the bulk of the painting done, I’ve finally glued Abalam’s head onto the bust so I can better work on the piece as a whole. There are lots of finishing touches to do, but the project feels like it’s moving onto the final stage!